Source: Poetry (April 2012).
In his poetry, Yusef Komunyakaa weaves together the elements of his own life in short lines of vernacular to create complex images of life in his native Louisiana and the jungles of Vietnam. From his humble beginnings as the son of a carpenter, Komunyakaa has traveled far to become a scholar, professor, and prize-winning poet. In 1994, he claimed the Pulitzer Prize and the $50,000 Kingsley Tufts Poetry Award for his Neon . . .
- Reviving Europe’s Biodiversity By Importing Exotic Animals (e360.yale.edu)
- Stagnant Ice: an Exotic Fantasy Setting (mqallen.com)
- The Dance of Words (teenchange.wordpress.com)
Denise Burge, Louise’s Tree‘s, 1999
Cincinnati based artist Denise Burge, approaching quilting from a painting background, views the creation of her work as its subject as well as its medium. Using the storytelling tradition learned in her community while growing up in the foothills of the Smokey Mountains, Burge uses her works as a commentary on everything from her family to the natural environment.
The Appalachian region has a history of folk artists concentrating on storytelling featuring aspects of religion, poverty, and the natural resources of the land. By using the quilt as her medium, Burge interprets what, to her, is a nostalgic and functional form of expression. Exploiting patchwork and sewing techniques as a vehicle for ecstatic pattern, Burge seeks to suggest her compositions as and analog to natural patterns of existence. Her work is constructed with a variety of materials and methods, both recycled and new, suggesting aspects of physical growth and renewal through the process. Shredding, slicing, layering, and turning forms and patterns inside-out, the artists sees her creations as a way to reenact and connect with the transformations that the earth constantly undergoes. Her nostalgia leads her to a romanticized conversation about attachment to our landscape. In the Appalachian landscape, people often see the brutality that can be exerted upon the earth, but also become viscerally connected to land and place as a natural resource and source of vitality. Burge uses her work to contemplate this contradiction and question the complexities of our relationship to our natural world.
Flattr is the worlds first social micro-payment system
The idea had already been initiated in 2007, but the first release was in 2010 due to typical geeky laziness.
Flattr was founded to help people share money, not just content. Before Flattr, the only reasonable way to donate has been to use Paypal or other systems to send money to people. The threshold for this is quite high. People would just ignore the option to send donations if it wasn’t for a really important cause. Sending just a small sum has always been a pain in the ass. Who would ever even login to a payment system just to donate €0.01? And €10 was just too high for just one blog entry we liked…
Flattr solves this issue. When you’re registered to flattr, you pay a small monthly fee. You set the amount yourself. At the end of the month, that fee is divided between all the things you flattered. You’re always logged in to the account. That means that giving someone some flattr-love is just a button away. And you should! Clicking one more button doesn’t add to your fee, it just divides the fee between more people! Flattr tries to encourage people to share. Not only pieces of content, but also some money to support the people who created them. With love!
Flattr has no different user types. We know that everybody that create also uses other content. And vice versa. We make no difference between people.
Flattr can be used as a complement to accepting donations. Or to having advertising on your blog. Or to help getting small donations you never get for your open source software.
To Start A Flattr Account And Donate Click On: Flattr.Com
- WordPress Hosting Reviews Announces Seven Awesome Footer Designs (prweb.com)
- We are shaped by our thoughts . . . Full Circle (patticlark.wordpress.com)
Originally posted on exceedingsky:
The artist Nathan Shields is a master of the pancake craft. He creates amazingly detailed pancakeimages depicting human organs,Star Wars characters,buildings of the world, marine invertebrates and more
Star Wars Characters
Buildings of the world
March 23, 2012
Having Trouble Affording Your Pet?`
NOTICE: If your animal requires emergency veterinary care and you cannot afford treatment, click here to contact groups, veterinary schools and learn of other resources that may help. If you are unsure what qualifies as emergency veterinary care, call your veterinarian and describe the symptoms.
If your organization is offering assistance (such as pet food, discounted veterinary services including spay/neuter, temporary foster care, etc.) to individuals facing financial difficulties due to the current economic situation, please let us know about your programs by emailing us at firstname.lastname@example.org.
Please keep in mind that each organization is independent and has their own set of rules and guidelines. Therefore you will have to investigate each one separately to determine if you qualify for assistance:
The Binky Foundation: binkyfoundation.org
Brown Dog Foundation (prescription medications): browndogfoundation.org
Canine Cancer Awareness: caninecancerawareness.org
Cats In Crisis: catsincrisis.org
God’s Creatures Ministry Veterinary Charity: www.all-creatures.org
Good Sam Fund: goodsamfund.org
Jake Brady Memorial Fund: www.myjakebrady.com
Magic Bullet Fund (cancer-specific): themagicbulletfund.org
The Mosby Fund: themosbyfoundation.org
The Onyx & Breezy Foundation: onyxandbreezy.org
Pet Food Bank: www.petco.com
The Pet Fund: thepetfund.com
RedRover Relief: redrover.org
Rose’s Fund: rosesfund.org
Shakespeare Animal Fund: www.shakespeareanimalfund.org
Top Dog Foundation “Bentley Grant”: topdogfoundation.org
Contact The Humane Society For Further Information.
For Assistance by state Click On State Assistance
Al Qaeda’s “Dog Food” Problem —By Adam Serwer
Photo by Flickr (Toya Hara)
Republicans and right-leaning critics of Obama’s national security policies have often complained that the president’s language describing terrorism is too timid and politically correct. (Yes, this is an actual complaint.)The Washington Post‘s David Ignatius was given a peek at the documents recovered from the raid in which Osama bin Laden was killed, and they reveal that bin Laden was worriedthat Obama’s shift in language was actually ruining al Qaeda’s brand:
The al-Qaeda brand had become a problem, Bin Laden explained, because Obama administration officials “have largely stopped using the phrase ‘the war on terror’ in the context of not wanting to provoke Muslims,” and instead promoted a war against al-Qaeda. The organization’s full name was “Qaeda al-Jihad,” bin Laden noted, but in its shorthand version, “this name reduces the feeling of Muslims that we belong to them.” He proposed 10 alternatives “that would not easily be shortened to a word that does not represent us.” His first recommendation was “Taifat al-tawhid wal-jihad,” or Monotheism and Jihad Group.
Bin Laden ruminated about “mistakes” and “miscalculations” by affiliates in Iraq and elsewhere that had killed Muslims, even in mosques. He told Atiyah to warn every emir, or regional leader, to avoid these “unnecessary civilian casualties,” which were hurting the organization.
“Making these mistakes is a great issue,” he stressed, arguing that spilling “Muslim blood” had resulted in “the alienation of most of the nation [of Islam] from the Mujahidin.” Local al-Qaeda leaders should “apologize and be held responsible for what happened.”
The Obama administration’s shift in language—a deliberate attempt to deny terrorists any religious legitimacy whatsoever—came at the advice of national security experts. But the move has long been portrayed in the conservative media as a sign of covert sympathy, admiration, or simple fear of terrorists on Obama’s part. Now we know Osama bin Laden found it personally vexing.
My colleague Kevin Drum writes, “So there you have it. Deep-sixing the ‘war on terror’ rhetoric really did hurt al-Qaeda.” But I think this might be just one part of the explanation. As bin Laden seems to have been aware, Al Qaeda developed a branding problem because it mostly killed other Muslims. And as it happens, because of lengthy wars in Iraq and Afghanistan, and the longstanding lack of resolution in the Israeli-Palestian conflict, the US has a similar problem. Civilian deaths are collateral damage that occur as the result of official US actions, while al Qaeda deliberately targets civilians—but I’m not sure those impacted really care about the distinction.
Ultimately, this isn’t a branding issue. It’s what political consultants describe as a “dog food problem”: No amount of clever marketing can make a dog want to eat ill-tasting dog food. No amount of “rebranding” would erase al Qaeda’s Muslim body count. There’s no slapping a happy face on grieving family members searching for loved ones in the rubble left behind after a suicide bombing—or, for that matter, a drone strike.