How To Get A Record Deal

 

Let’s talk about how to get a record deal. After all this is what you want. Right? You’d probably do anything just to get one. One of the most important things that you should focus on is making your music unique. I’ve seen too many artists try to record a song that is almost identical to a particular song they’ve heard on the radio. When it comes to record deals, it just doesn’t work.

All the record labels want is one thing that is uniquely different in your music. That’s all. You know what? You’re already unique. You are different to every other artist, musician and songwriter on the planet. So what do you do? Bring out that uniqueness in your music. Bring out the you in your music. Let your music reflect you. Your songs should capture your unique personality and individuality.

This is how you capture your listener. They will stop and listen because your music takes them to places they have never been before. It’s not the same regurgitated songs that they have grown accustomed to and are tired of. Record label reps are the first listeners and they’re human. Make them stop and listen. This is how artists get record deals.

There are songs that you listen to for the first time and they immediately grab your attention. There is something in them that do that to you, whether it’s a particular kind of melody, something in the lyrics, the topic or whatever. Here’s what you should do. Write songs with the intention of doing the same thing to your listeners. That’s all! Don’t do exactly what was done in the song you heard. Make it different and unique, but make it create the same impact.

Regurgitation doesn’t get artists record deals. It’s uniqueness. Give a record label a song to knock their socks of in the same way that your favorite songs knocked your socks off. As soon as you do this, you’ll be on your way.

Original Post From http://www.ultimatesongwriting.com

 

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After Getting Screwed by One Major Label, Kenny Rogers Runs Into the Arms of Another…

Article From DigitalNews.Com

After an exhaustive listing of alleged abuses spanning decades, Kenny’s legal team settled on a sad assessment, one that unfortunately matches our grim picture of big-label accounting.
This isn’t just an EMI (or Capitol Records) thing: in fact, a string of lawsuits by major-signed superstars have now etched a pattern of systematic dishonesty, all in the name of lowering one huge cost: the artist. That complements lots of troubling tales about broke – and broken – artists who were simply screwed by smarmy label execs and lawyers (and oftentimes, their own collossal mistakes).
It just seems baked into the system. So why is Kenny Rogers now signing with another major, right down the block? On Thursday, Kenny Rogers proudly announced a brand new deal with Warner Music Group (Nashville), specifically through his old-time label, Warner Bros. “Our history together, combined with the incredible team that’s in place now, provides the catalyst for a great new relationship going forward.”
Of course, there are several reasons why this might make sense. For starters, the executives at Warner Nashville may be totally different than Capitol, and the presence of a label frees the burden of doing (or at least overseeing) everything. On top of that, Rogers now has considerable leverage to not only negotiate more favorable terms, but also construct deals that focus on more limited areas (ie, marketing, distribution, etc.)
But this is still Warner Music Group, a company with a legacy of outlandish executive salaries and now-aggressive cost-cutting. And this seems like a golden opportunity: maybe Kenny isn’t Amanda Palmer, but there are plenty of experts that could have shepherded a truly independent, ‘DIY’ career for this legend. Warner, on the other, seems like an ongoing ‘Gamble,’ no matter how good it seems upfront.

More Articles At: Digital News

Grooveshark: Trolling The Sea Of Artists To Make A Buck?

Article From http://blog.tunecore.com

So what does Grooveshark do? When you click the “about” link on their website, a little pop-up box appears that says: “Grooveshark is the world’s largest on-demand music streaming and discovery service.” What this means is that anyone can go to Grooveshark, and, for FREE, type in the name of an artist and then play any recording by that artist in the Grooveshark system. Users can make playlists, stop, start, skip and basically listen to what they want, when they want, with little-to-no restrictions. And guess what, allowing anyone to listen to anything they want with basically no restrictions got them a whole bunch of users. How many? According to their little pop-up box: “Over 30 million users flock to Grooveshark…” Wow. 30 million users that “flock to Grooveshark,” and, again, I quote from their own site: “…to listen to their favorite music, create playlists, discover new tunes, and share it all with friends via Facebook, Twitter, social news sites, and more.” Well, when you have 30 million people coming to your website, you have a lot of web traffic. This means you can start making money by charging entities to advertise on your site. After all, you reach tens of millions of consumers. Just think of all the money Grooveshark makes by selling ads. There is just one really big, big problem: they don’t get licenses and don’t pay the artists, the labels and/or the songwriters for the use of the music that’s making them tons of money. I can assure you, 99% of the hundreds of thousands of TuneCore Artists whose music is in Grooveshark have not been paid a single penny. Said more simply: ARTISTS SHOULD BE PAID FOR THE USE OF THEIR MUSIC! In order for Grooveshark to pull off their “aren’t-we-so-clever-f**k-the-artist” scheme, they use copyright law in a way it was not intended to be used.

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